Best Broadcast Audio Mixers For Television Studios: Compared and Reviewed

Choosing a mixer for a television studio means balancing clear microphone control, enough inputs for your crew, and a workflow that fits your recording or live-production setup. The options below range from compact analog mixers to a gaming-focused audio hub. They offer useful features for smaller productions, but the supplied specifications do not establish that any is a dedicated broadcast console, so check your studio’s routing and connection needs before buying.

Quick Comparison

Our Picks: Best Broadcast Audio Mixers For Television Studios reviews

1. Dejasound FX-12usb: Flexible Control for Small Production Rooms

The Dejasound FX-12usb is a 12-channel mixer aimed at recording, conferences, live broadcasts, and other setups that need hands-on audio control. Its combination of channel switches, PFL monitoring, USB, and Bluetooth gives you several ways to manage sources and check incoming audio.

The listed features include 48V phantom power for compatible condenser microphones and 99 onboard effects. PFL lets you listen to a channel before relying on its main mix level, which can help when checking a microphone or source during setup. Bluetooth and USB add convenience, but a wireless music connection is not a replacement for a carefully managed broadcast feed.

This is the most feature-packed general-purpose option in this group. It may suit a small studio, interview room, or streaming space where an operator wants multiple inputs and built-in effects. The supplied information does not specify detailed output-routing options or broadcast-specific functions, so confirm that its connections match your cameras, recorder, or production system.

Pros:

• 12 channels for a broader range of sources
• PFL monitoring for checking individual inputs
• 48V phantom power, USB, and Bluetooth
• Onboard effects for speech and other audio

Cons:

• Detailed output and broadcast-routing specifications are not provided
• Many onboard effects may be unnecessary for clean studio speech

Verdict: Choose the Dejasound if you want a versatile mixer with many inputs and monitoring features for a smaller production, but verify its output connections before making it part of a television signal chain.

2. Mackie Mix12FX: Straightforward Analog Mixing with Built-In Effects

The Mackie Mix12FX is a compact analog mixer with 12 channels, including four mic/line inputs and four stereo 1/4-inch line inputs. It provides physical controls for level, pan, and tone shaping, along with a low-cut filter and overload indicators on the mic/line channels.

For a studio using a few microphones plus playback devices, that layout offers practical, direct control without relying on a computer for every adjustment. The mixer includes phantom power for compatible condenser microphones, 12 onboard effects, and stereo RCA inputs and outputs for playback or recording.

Its analog-focused feature set is simpler than the Dejasound’s broader connectivity options. The supplied specifications do not list USB recording or Bluetooth, so it may be a better match for a straightforward wired signal path than for a setup that expects those connections. As with any compact mixer, check that its inputs and outputs suit the rest of your production equipment.

Pros:

• Four mic/line inputs for a small presenter or interview setup
• Three-band EQ and a 75 Hz low-cut filter
• Phantom power for compatible condenser microphones
• Stereo RCA connections and built-in effects

Cons:

• The listed features do not include USB or Bluetooth connectivity
• Four mic/line inputs may be limiting for larger panels

Verdict: The Mix12FX is a sensible choice for a compact, mostly wired studio setup that needs basic analog control and several microphone inputs.

3. FIFINE SC8: A Streaming-Focused Hub for PC Commentary

The FIFINE SC8 is designed for gaming and live streaming rather than conventional multi-microphone television production. Its listed connections and controls focus on combining a microphone, computer or console audio, and commentary in a compact streaming workflow.

It has an XLR input with 48V phantom power, USB-C connectivity, an AUX input, and an optical AUX connection. The controls include separate mic, game, and background-audio adjustments, a game/chat balance dial, mute controls, and headphone monitoring. The product description also lists virtual 7.1 surround, voice-changing effects, and customizable sound buttons.

Those features may be useful for a single-host stream or commentary station, but gaming-oriented features do not automatically translate to a TV studio workflow. The listing states that the mixer is not compatible with USB microphones, and an XLR cable is not included. It also does not describe a bank of mic inputs for a panel or a broadcast-style routing setup.

Pros:

• XLR input with 48V phantom power
• USB-C, optical AUX, and 3.5 mm AUX connections
• Separate controls for mic, game, and background audio
• Headphone monitoring and mute controls

Cons:

• Not compatible with USB microphones, according to the listing
• Gaming and voice effects may not suit a traditional studio mix

Verdict: Consider the SC8 for a PC-based streaming or commentary station, not as the main mixer for a multi-microphone television studio.

4. BOMGE 04E: Wireless Microphones for Speech and Entertainment

The BOMGE 04E is a four-channel mixer that comes with two UHF wireless microphones. Its feature set is aimed at karaoke, parties, and speech, though the listing also mentions broadcasting and studio streaming. Each included microphone has independent volume control, and the mixer provides several input types, Bluetooth, USB playback, and headphone connections.

For a small presentation room or informal production where wireless microphones are useful, the included microphones may reduce the need to assemble a separate mic system. The mixer also lists 48V phantom power, a 24-bit digital effects processor, and two headphone jacks for monitoring.

This model is less suited to a studio that needs extensive channel capacity or detailed broadcast routing. Its feature emphasis is on wireless mics, playback, and effects rather than a large wired microphone setup. The product data also marks it as unavailable, so check its current listing status before planning a purchase around it.

Pros:

• Includes two UHF wireless microphones
• Independent volume controls for the included microphones
• Bluetooth and USB playback options
• Two headphone jacks for monitoring

Cons:

• Four channels may not cover a larger studio setup
• Product data marks it as unavailable

Verdict: The BOMGE 04E is worth considering for simple speech or entertainment use if the wireless microphones fit your needs and the product is available, but it is not the strongest match for a larger television studio.

5. Pyle 10-Channel Mixer: Multiple Mic Inputs and USB Recording

This Pyle mixer is listed with 10 channels and six XLR combo microphone inputs, making it one of the more mic-oriented options in this selection. Each channel has gain, EQ, effects, and level controls, and the mixer includes +48V phantom power for compatible microphones.

Its feature set also includes Bluetooth 5.0, USB playback and recording, an MP3/WAV player for a USB flash drive, and an LED display with level indicators. Those additions can be handy for a small studio that needs to play audio or record directly to a computer as part of its workflow.

The supplied information describes general studio, event, and DJ use, but does not specify broadcast-grade output routing or other television production features. The data also marks this model as unavailable, so check the listing before treating it as a practical option. If it becomes available, compare its computer connection and outputs with your recording or video system.

Pros:

• Six XLR combo inputs for microphones and other sources
• USB recording and USB flash-drive playback
• Bluetooth audio streaming
• Channel-level gain, EQ, effects, and level controls

Cons:

• Product data marks it as unavailable
• Broadcast-specific routing details are not provided

Verdict: If it is available and its connections fit your system, the Pyle’s six mic inputs and USB features make it a practical candidate for a small studio or production room.

How to Choose a Broadcast Audio Mixer for a Television Studio

Count your microphones and other sources

Start with the number of microphones you need at once, then add the other sources you expect to mix, such as playback devices or computer audio. Leave room for growth if your production may add another host or guest. Channel counts can be presented in different ways, so confirm how many inputs are suitable for your actual microphones and line-level sources.

Match the connections to your equipment

Check the mixer’s input and output connections against your microphones, camera or recorder, computer, and monitoring equipment. A mixer may have useful USB or Bluetooth features but still lack the connection your production chain requires. The product details here do not fully describe broadcast output routing, so verify those specifications before buying.

Choose the right microphone support

Condenser microphones may need 48V phantom power, while other microphones may not. Confirm that the mixer supports the microphones you plan to use and that phantom power can be managed appropriately. If you are considering a wireless system, account for its receiver, frequency options, and how it connects to the mixer; the BOMGE option, for example, lists two included UHF microphones.

Look for useful monitoring and level control

Good monitoring helps an operator catch an input problem before it reaches the program mix. PFL, headphone connections, level indicators, and overload warnings can make checks easier. Consider who will operate the mixer and whether the controls are clear enough to manage while also following a live production.

Decide whether built-in effects help your workflow

Effects such as reverb and delay can suit music, entertainment, or some voice applications, but many studio conversations call for a clean, natural sound. Do not choose a mixer based only on the number of effects. Make sure you can control or avoid them when you want speech to sound direct.

Check the computer and playback features

USB recording, USB playback, Bluetooth, and analog inputs serve different purposes. Decide whether you need to record directly to a computer, play prepared audio, or connect a phone wirelessly. For a live production, test the exact connection path and operating workflow rather than assuming that every USB or Bluetooth feature works as a studio interface.

Consider whether a compact general-purpose mixer is enough

The products in this guide are compact mixers or streaming-focused devices, not clearly specified broadcast consoles. A dedicated television workflow may require more detailed routing, monitoring, or integration than these listings describe. If your studio depends on those capabilities, request full technical specifications and confirm compatibility before choosing a product.

Frequently Asked Questions

What makes a mixer suitable for a television studio?

A suitable mixer needs enough compatible inputs for your microphones and other sources, useful monitoring, and outputs that work with the rest of your production chain. The right choice depends on your studio’s signal flow, not just the number of channels or built-in effects.

Are these products dedicated broadcast consoles?

The supplied product information describes compact analog, general-purpose, karaoke, and gaming or streaming mixers. It does not establish that any of them is a dedicated broadcast console. Check detailed routing and connection specifications if your production requires broadcast-specific features.

How many microphone inputs should I plan for?

Count the microphones you will use at the same time, then allow for any expected guests or presenters. Also check whether the listed channel count includes stereo line inputs that cannot serve as microphone inputs.

Do I need phantom power?

You need phantom power if your selected microphone requires it. Several mixers in this guide list 48V phantom power, but you should confirm that the feature works with your microphone and understand how it is controlled before connecting equipment.

Is Bluetooth a good choice for live program audio?

Bluetooth can be convenient for casual playback, but a wireless connection is not always the best choice for a controlled live signal path. For important program audio, confirm the connection method and test it within your own setup.

Which option is most suitable for a multi-person studio?

The Dejasound lists 12 channels, while the Pyle lists six XLR combo inputs within a 10-channel mixer. Those counts may help narrow the options, but confirm the type of each input and the mixer’s outputs before deciding whether it can handle your full production.

Final Recommendation

For a small production room that needs multiple inputs, PFL monitoring, and a broad set of connections, the Dejasound FX-12usb is the most flexible option listed. The Mackie Mix12FX is a simpler pick for a wired analog setup, while the FIFINE SC8 is better suited to PC streaming than conventional studio mixing. The BOMGE and Pyle offer useful features for specific needs, but their listed availability is limited in the supplied product data. Before purchasing any of these mixers for television work, confirm that its inputs, outputs, and routing match your production system.